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    Showing results with game or thrones or movies.
    VISU 3391 R 1 - Game Studio: Radical Game Design (2015-2016 Academic Year Spring)
    Tue, Thu: 3:35-6:30 PM @ SLC HEIM 112
    lo Email Email More info More Info
    Game Studio: Radical Game Design
    ARTS 3391 A 1 - Game Studio: Radical Game Design (2017-2018 Academic Year Spring)
    Tue, Thu: 9:30-10:55 AM @ SLC HEIM 107
    lo Email Email More info More Info
    Game Studio: Radical Game Design
    ARTS 3391 A 1 - Game Studio: Radical Game Design (2016-2017 Academic Year Spring)
    Mon, Wed: 3:35-5:00 PM @ SLC HEIM 107
    lo Email Email More info More Info
    Game Studio: Radical Game Design
    FILM 3328 R 1 - Writing Movies (2021-2022 Academic Year Spring)
    Wed: 11:05-2:00 PM @ SLC HEIM 111
    ref="(@@emailUrla369ae5b-520b-4e55-b9c6-c1b3c7fffda4@)">Email Email More info More Info
    Writing Movies
    FILM 3328 R 1 - Writing Movies (2018-2019 Academic Year Spring)
    Thu: 11:05-2:00 PM @ SLC HEIM 111
    ref="(@@emailUrla369ae5b-520b-4e55-b9c6-c1b3c7fffda4@)">Email Email More info More Info
    Writing Movies
    FILM 3328 R 1 - Writing Movies (2019-2020 Academic Year Fall)
    Thu: 11:05-2:00 PM @ SLC HEIM 111
    ref="(@@emailUrla369ae5b-520b-4e55-b9c6-c1b3c7fffda4@)">Email Email More info More Info
    Writing Movies
    FILM 6904 I 1 - Writing for and About Movies (2021-2022 Academic Year Summer Session)
    ref="(@@emailUrla369ae5b-520b-4e55-b9c6-c1b3c7fffda4@)">Email Email More info More Info
    Writing for and About Movies
    FLMH 3202 R 1 - Women Make Movies: GenderRepresentation (2018-2019 Academic Year Spring)
    Tue: 7-10:00 PM @ SLC TITS LH
    Wed: 1-4:00 PM @ SLC PAC 1
    a href="(@@emailUrl5e106695-35b8-4657-ab78-06c4c57f06bc@)">Email Email More info More Info
    Women Make Movies: GenderRepresentation
    FLMH 3202 R 1 - Women Make Movies: GenderRepresentation (2019-2020 Academic Year Spring)
    Tue: 7-10:00 PM @ SLC HEIM 202
    Wed: 1-4:00 PM @ SLC PAC 1
    a href="(@@emailUrl5e106695-35b8-4657-ab78-06c4c57f06bc@)">Email Email More info More Info
    Women Make Movies: GenderRepresentation
    VISU 3385 R 1 - Game Studio: Games from Nothing (2014-2015 Academic Year Fall)
    Tue: 9-10:55 AM @ SLC HEIM 208
    Thu: 9-10:55 AM @ SLC HEIM 209A
    lo Email Email More info More Info
    Game Studio: Games from Nothing
    ARTS 3394 R 2 - Game Studio: Level Design (2019-2020 Academic Year Spring)
    Mon: 11:05-2:00 PM @ SLC HEIM 107
    lo Email Email More info More Info
    Game Studio: Level Design
    ARTS 3394 A 1 - Game Studio: Level Design (2018-2019 Academic Year Fall)
    Mon, Wed: 9-10:30 AM @ SLC HEIM 107
    lo Email Email More info More Info
    Game Studio: Level Design
    MATH 2014 L 1 - Game Theory: The Studyof Strategy and Conflict (2023-24 Academic Year Fall)
    Tue, Thu: 9-10:55 AM @ SLC SC 103
    Wed: 3:35-4:35 PM @ SLC LIBR E1
    Wed: 1-2:00 PM @ SLC LIBR E1
    Wed: 2:15-3:15 PM @ SLC LIBR E1
    Email Email More info More Info
    Game Theory: The Studyof Strategy and Conflict
    MATH 2014 L 1 - Game Theory: The Studyof Strategy and Conflict (2018-2019 Academic Year Spring)
    Mon, Wed: 3:35-5:30 PM @ SLC SC 103
    Thu: 3:45-4:55 PM @ SLC LIBR E1
    Thu: 2:15-3:25 PM @ SLC LIBR E1
    Email Email More info More Info
    Game Theory: The Studyof Strategy and Conflict
    VISU 3390 R 1 - Game Studio: Bad Guys (2014-2015 Academic Year Spring)
    Mon, Wed: 9-10:55 AM @ SLC HEIM 209A
    lo Email Email More info More Info
    Game Studio: Bad Guys
    a section of the Game Studio: Bad Guys course in VISUAL ARTS - VISU
    ARTS 3394 A 1 - Game Studio: Level Design (2019-2020 Academic Year Fall)
    Mon, Wed: 9-10:25 AM @ SLC HEIM 107
    lo Email Email More info More Info
    Game Studio: Level Design
    ARTS 3325 R 1 - Great Lakes World Game (2022-23 Academic Year Spring)
    Tue: 11:05-1:00 PM @ SLC HEIM 213
    a href="(@@emailUrl057b17a5-58c2-483e-8d3e-7a493e486984@)">Email Email More info More Info
    Great Lakes World Game
    MATH 2014 L 1 - Game Theory: The Studyof Strategy and Conflict (2020-2021 Academic Year Spring)
    Tue, Thu: 10-11:55 AM @ SLC ONLIN
    Fri: 10-11:15 AM @ SLC TBD TBD
    Fri: 11:30-12:45 PM @ SLC TBD TBD
    Email Email More info More Info
    Game Theory: The Studyof Strategy and Conflict
    MATH 2014 L 1 - Game Theory: The Studyof Strategy and Conflict (2015-2016 Academic Year Spring)
    Tue, Thu: 3:35-5:30 PM @ SLC SC 103
    Wed: 12:40-1:55 PM @ SLC LIBR E1
    Wed: 2:10-3:25 PM @ SLC LIBR E1
    Email Email More info More Info
    Game Theory: The Studyof Strategy and Conflict
    PHED TS01 D 1 - Introduction to Team Sports: TWO PE UNITS (2024-25 Academic Year Spring)
    Fri: 10-11:00 AM @ SLC CSC GYM
    f="(@@emailUrl6b903ad7-5d10-48be-bf5c-20a6e2cffcc5@)">Email Email More info More Info
    ...This course provides students with an opportunity to learn and participate in a variety of team sports, including basketball, volleyball, soccer, and more. Emphasis is placed on developing fundamental skills, understanding game strategies, and fostering teamwork and sportsmanship. Each session includes skill drills, game simulations, and discussions on rules and tactics. The course is designed to enhance physical fitness, coordination, and collaboration while creating an enjoyable and inclusive environment for players of all experience levels....
    GERM 2062 L 1 - Thinking About Exile (2024-25 Academic Year Spring)
    Tue: 7-9:30 PM @ SLC LIBR PILLW
    nger Email Email More info More Info
    ...Thinking about exile and emigration, human history has always been characterized by the forced or voluntary migration of individuals or groups of people. In this lecture, we will analyze the dialectical relationship between the concepts of “exile” and “home” in a series of literary works and some movies, ranging from biblical stories to literature from Roman antiquity, the Middle Ages, the 18th... primary works will invite us to analyze these themes in various literary and philosophical genres. In addition to analyzing literary works and movies as representations of “real, historical” exile, another...
    a section of the Thinking About Exile course in GERMAN - GERM
    FILM 3313 R 1 - Writing for TV (2021-2022 Academic Year Spring)
    Tue: 10:30-1:30 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2017-2018 Academic Year Spring)
    Fri: 11:05-2:00 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2024-25 Academic Year Fall)
    Fri: 9:50-12:25 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2021-2022 Academic Year Fall)
    Tue: 4-7:00 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2019-2020 Academic Year Spring)
    Thu: 11:05-1:55 PM @ SLC TWEED LR
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2019-2020 Academic Year Fall)
    Mon: 11:05-2:00 PM @ SLC HEIM 134
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2024-25 Academic Year Spring)
    Fri: 9:50-12:25 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    FILM 3313 R 1 - Writing for TV (2017-2018 Academic Year Fall)
    Fri: 11:05-2:00 PM @ SLC HEIM 211
    ea Email Email More info More Info
    ...Prerequisite: Any one of these classes, preferably more than one: Advanced Writing for the Screen Writing Movies Writing the Feature Length Screenplay Writing the Adapted Screenplay Narrative Podcasting and Production The Revolution Will Not Be Televised Creative Producing in Film and Television or The Art and Craft of Development and Pitching for Film and TV In the first semester, we will practice the fundamental skill of successful television writers—the ability to craft entertaining and compelling stories for characters, worlds, and situations created by others. Though dozens of writers...
    THEA 5784 U 1 - Beyond Proscenium: Radical Acting, Directing, & Design Post-Internet (2024-25 Academic Year Spring)
    Mon: 1:30-3:25 PM @ SLC PAC SWW
    a href="(@@emailUrla0b5d231-e5f0-472e-b331-7520aa3838d3@)">Email Email More info More Info
    ..., motion capture, 3D scanning/rendering, game engine, and networked liveness....
    THEA 5784 U 1 - Beyond Proscenium: Radical Acting, Directing, & Design Post-Internet (2023-24 Academic Year Fall)
    Mon: 1:30-3:25 PM @ SLC PAC SWW
    a href="(@@emailUrla0b5d231-e5f0-472e-b331-7520aa3838d3@)">Email Email More info More Info
    ..., motion capture, 3D scanning/rendering, game engine, and networked liveness....
    THEA 5784 U 1 - Beyond Proscenium: Radical Acting, Directing, & Design Post-Internet (2023-24 Academic Year Spring)
    Mon: 1:30-3:25 PM @ SLC PAC SWW
    a href="(@@emailUrla0b5d231-e5f0-472e-b331-7520aa3838d3@)">Email Email More info More Info
    ..., motion capture, 3D scanning/rendering, game engine, and networked liveness....
    THEA 5784 U 1 - Beyond Proscenium: Radical Acting, Directing, & Design Post-Internet (2024-25 Academic Year Fall)
    Mon: 1:30-3:25 PM @ SLC PAC SWW
    a href="(@@emailUrla0b5d231-e5f0-472e-b331-7520aa3838d3@)">Email Email More info More Info
    ..., motion capture, 3D scanning/rendering, game engine, and networked liveness....
    ASIA 3059 J 1 - Mainland Chinese Cinema, Culture,and Identity, 1949-Present (2021-2022 Academic Year Spring)
    Tue: 7-10:00 PM @ SLC TITS LH
    Wed: 9:30-12:00 PM @ SLC TITS LR
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    Kevin Landdeck Email Email More info More Info
    ...This seminar course will examine both the historical and cultural context of Mainland Chinese cinema from 1949 to the present. The course will be focused on full-length feature films from the People’s Republic of China, providing an eclectic mix of movies covering socialist propaganda of the high Maoist period (1949-76), the critical stances of the “Fifth Generation” (of graduates from the Beijing Film Academy) in the 1980s and early 1990s, the more entertainment-focused films of postDeng (2000s) China, as well as contemporary art films that are largely seen outside of the commercial...
    LITR 2040 L 1 - Postwar German Literature and Film (2020-2021 Academic Year Fall)
    Tue: 7-9:00 PM @ SLC ONLIN
    nger Email Email More info More Info
    ... during World War II; Eugen Ruge’s In Times of Fading Light, a family novel covering East German history, in conjunction with movies about life in East Germany under constant surveillance...
    ASIA 3059 J 1 - Mainland Chinese Cinema, Culture,and Identity, 1949-Present (2024-25 Academic Year Spring)
    Mon: 6:15-8:45 PM @ SLC HEIM 135
    Tue: 11-1:30 PM @ SLC BATES 206
    Email Email More info More Info
    Michael Cramer Email Email More info More Info
    ...This seminar course will examine both the historical and cultural context of Mainland Chinese cinema from 1949 to the present. The course will be focused on full-length feature films from the People’s Republic of China, providing an eclectic mix of movies covering socialist propaganda of the high Maoist period (1949-76), the critical stances of the “Fifth Generation” (of graduates from the Beijing Film Academy) in the 1980s and early 1990s, the more entertainment-focused films of postDeng (2000s) China, as well as contemporary art films that are largely seen outside of the commercial...
    FILM 3329 R 1 - Writing the Adapted Screenplay (2024-25 Academic Year Spring)
    Thu: 1:30-4:30 PM @ SLC HEIM 211
    enwald Email Email More info More Info
    ...Prerequisite: one college-level screenwriting class Your favorite novel has never been made into a movie, a little-known historical figure is your personal role model, or a relative’s journey of survival fascinates you. These are some of the preexisting sources that inspire us to write movies. Working from novels, biographies, historical incident, true crime, etc., students will develop feature-length screenplays. From pitching ideas, detailed outlining, and creating mood boards in order to develop cinematic storytelling skills, this course will take the student through the process...
    LITR 2040 L 1 - Postwar German Literature and Film (2022-23 Academic Year Fall)
    Tue: 7-9:00 PM @ SLC LIBR PILLW
    nger Email Email More info More Info
    ... during World War II; Eugen Ruge’s In Times of Fading Light, a family novel covering East German history, in conjunction with movies about life in East Germany under constant surveillance...
    GERM 2040 L 1 - Postwar German Literature and Film (2024-25 Academic Year Fall)
    Tue: 7-9:30 PM @ SLC HEIM 208
    nger Email Email More info More Info
    ... during World War II; Eugen Ruge’s In Times of Fading Light, a family novel covering East German history, in conjunction with movies about life in East Germany under constant surveillance...
    FILM 3329 R 1 - Writing the Adapted Screenplay (2020-2021 Academic Year Spring)
    Thu: 12:05-3:00 PM @ SLC ONLIN
    enwald Email Email More info More Info
    ...Prerequisite: one college-level screenwriting class Your favorite novel has never been made into a movie, a little-known historical figure is your personal role model, or a relative’s journey of survival fascinates you. These are some of the preexisting sources that inspire us to write movies. Working from novels, biographies, historical incident, true crime, etc., students will develop feature-length screenplays. From pitching ideas, detailed outlining, and creating mood boards in order to develop cinematic storytelling skills, this course will take the student through the process...
    ASIA 3059 J 1 - Mainland Chinese Cinema, Culture,and Identity, 1949-Present (2019-2020 Academic Year Spring)
    Tue: 7-10:00 PM @ SLC HEIM 208
    Wed: 9:30-12:00 PM @ SLC TITS LR
    Email Email More info More Info
    Michael Cramer Email Email More info More Info
    ...This seminar course will examine both the historical and cultural context of Mainland Chinese cinema from 1949 to the present. The course will be focused on full-length feature films from the People’s Republic of China, providing an eclectic mix of movies covering socialist propaganda of the high Maoist period (1949-76), the critical stances of the “Fifth Generation” (of graduates from the Beijing Film Academy) in the 1980s and early 1990s, the more entertainment-focused films of postDeng (2000s) China, as well as contemporary art films that are largely seen outside of the commercial...
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