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FILMMAKING & MOVING IMAGE ARTS - FILM
    • Menu
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      • An Overview of Visual Development iin Animation and Film
      • Anatomy of a Scene
      • Animation and Philosophy
      • Bulletproof Screenwriting
      • Bulletproof Screenwriting
      • Capturing Stories: DocumentaryFilmmaking:Smart Phone Technologies
      • Catching Emotion: Trauma & Strugglein Auteur Animation
      • Contemporary Moving Image Art
      • Deep Focus: Filmmaking forthe Amateur and the Auteur
      • Designing Film for VirtualEnvironments
      • Digital 3D Animation: Character and Environment Building
      • Digital 3D Animation:Character and Environment Design
      • Directing Actors Seminar
      • Documentary Filmmaking and Musicas Liberation I
      • Documentary Filmmaking andand Music as Liberation II
      • Documentary Filmmaking: The Personaas Political I
      • Documentary Filmmaking: The Personaas Political II
      • Documentary Filmmaking: Truth,Freedom and Bearing Witness
      • Drawing the Storyboard: VisualStructure in Animation & Film
      • Editing for Film & TV
      • Editing Fundamentals
      • Editing the Short Film
      • Elements of Writing for the Screen:The Screenwriter as Director
      • Everyday Archives: Digital Mediaand the Aesthetic Collaboration
      • Feeling Sound: Effects and Affects
      • Field Recording for Film,Animation, and Podcasts
      • Film Production Lecture
      • Film Scheduling
      • Filming with Actors; a Workshopfor Directors and Actors
      • Filmmakers Collective
      • Filmmaking Basics: Where to Start
      • Filmmaking Fundamentals: Writingand Production
      • Filmmaking Structural Analysis
      • Filmmaking: Visions of SocialJustice II
      • First Year Studies in Filmmaking
      • First Year Studies in Filmmaking:
      • First Year Studies: Introductionto Documentary Film
      • First-Year Studies: DocumentaryFilmmaking: True Storytelling
      • First-Year Studies: Image, Sound,and Time
      • First-Year Studies: Words toPictures: Writing for the Screen
      • First-Year Studies: Writing andDirecting for Cinema: The Basics
      • From Ideas to Postproduction
      • FYS in Filmmaking: FindingYour Voice in Film
      • FYS: Fundamentals of NonfictionAnimation
      • FYS: Intro to Cinematography: Visualizing & Creating Images
      • FYS: Respect for Screen Acting:Performance and Film
      • Genre Writing
      • Good, Fast, Cheap: The Sacred Triad of Film Scheduling
      • International Film Institute Filmmakers' Week
      • Intro to Editing for Film & TV
      • Introduction to Animation Studies
      • Introduction to Cinematography -Fundamentals
      • Introduction to Production Sound
      • Introduction to Writing for TV
      • Media Lab: Youth Educationand Community Engagement
      • Music and Sound for Film
      • Narrative Structural Analysisin Film and TV
      • Non-Fiction: Developing and Writing the Documentary
      • Not For Children
      • On Multimodal Scholarship: The Useof Digital Technologies for Researc
      • Opening Scene: Filmmaking for First-Timers
      • Politics of the Image
      • Producing and Pitching: TheCreative Producer In The Real World
      • Queer and Trans Aesthetics: NewApproaches to Media Production
      • Queer Feminist Praxis: CommunityEngagement and Digital Humanities
      • Queer/Trans/Digital
      • Recording and Editing Soundfor Film and Media
      • Screen Story Narrative Structure
      • Screenwriting Is Rewriting:Screenplay Revision
      • Screenwriting: Telling the TruthThrough Fiction
      • Scriptwriting: Screen-Showingand Telling
      • Short Film Composition
      • Sonic Experiments: Listeningand Queer Worldmaking
      • Sonic Experiments: Listeningand Queer Worldmaking
      • The Actor's Voice Over: Intensive Exploration of Voice Work
      • The Art of Editing: Aestheticand Practice
      • The Art of Editing: Post-Production
      • TV Writing: Creating an OriginalTV Series
      • Virtual Cinema
      • Virtual Cinema
      • Visions of Social Justice
      • Worldbuilding
      • Writing & Directing the Documentary
      • Writing Documentary Stories
      • Writing Fantasy Scripts
      • Writing for Television From'Spec Script’ to Original Pilot
      • Writing for the Screen
      • Writing for TV
      • Writing for TV: The Original Pilot
      • Writing From Imagination
      • Writing Movies
      • Writing Moving Pictures: Film/TV
      • Writing the Adapted Screenplay
      • Writing the Feature Screenplay
      • Writing the Film: Scriptsfor Screen-Based Media
      • Writing the Short Film Adaptation
      • Writing the Short Screenplay
      • Writing the Short Screenplay
      • Writing the Short Screenplay
      • Your Cinema Vocabulary
      • 2D Animation:
      • 2-D Animation:From Pencil to Vector
      • 3D Character & Environments
      • 3D Character and Environments
      • 4D Cinema for Animation
      • Acting for Screenwriters/Directors
      • Advanced Independent StudyCollective: Exper Film/Animation
      • Avant Doc: Experimentsin Documentary Filmmaking
      • Character Design
      • Cinematography, Color, Compositionand Style
      • Concept Art: The Medea Project
      • Concept Art: Visual Development
      • Concept Art:Exploring Preproductionfor Media Arts Projects
      • Concepts in Media Self-Portraiture
      • Creating the Webseries
      • Creative Producing: The Role of theProducer in Film and Television
      • Digital 2D Animation
      • Directing Actors
      • Directing for Film
      • Directing for Film & TV
      • Directing For the Screen: Developing Collaborative Process
      • Directing the Documentary
      • Directing the Narrative
      • Directing the Short Film
      • DIY Filmmaking: Do It Yourself
      • Documentary Filmmaking
      • Documentary Filmmaking:The Documentary Portrait
      • Drawing for Animation: Concept Art
      • Environmental 3D Modeling for Animation
      • Experimental 3D Character Creationand Movement
      • Experimental Animation
      • Experimental Documentary:Theory and Practice
      • Experimental Film & Animation
      • Experimental Film in Place
      • Experimental Hybrid Film: Video andAnimation
      • Experimental Stop Frame Animation
      • Experiments in Hybrid Animation:Materials and Methods
      • Filmmaking & Cinematic Arts
      • Filmmaking and Cinematic ArtsTutorial
      • Filmmaking Component
      • Filmmaking Component
      • Filmmaking Component
      • Filmmaking Component
      • Filmmaking course
      • Filmmaking Course
      • Filmmaking Course
      • Filmmaking course - Amsterdam
      • Filmmaking Course Leeds
      • Filmmaking Production Collective
      • Filmmaking& Cinematic Arts Tutorial
      • Filmmaking/Cinematic Arts Tutorial
      • Filmmaking: Visualizing and CreatinMoving Images for the Screen
      • Finish Your Film! The Art of Post-Production
      • Fundamentals of 2D CharacterAnimation
      • Fundamentals of Cinematic Lighting
      • Game Workshop and Video GameDevelopment
      • Games People Write: NarrativeDesign & Writing for Video Games
      • Hand-Drawn Animation
      • Intensive Program in Filmmaking
      • Intensive Program in Filmmaking
      • Intensive Program in Filmmaking
      • Interactive Cinema
      • Interactive Storytelling
      • Intermediate/Advanced 2D Animation
      • Introduction to 2D Animation
      • Introduction to 3D Animation
      • Less Is More: On-Camera Performance
      • Making the Genre Film
      • Making the Genre Film
      • Marketing for Screenwriters,Filmmakers, and Directors
      • Media Sketchbooks
      • Not For Children: AlternativeAnimation 1960-present
      • Performance for Film
      • Producing for Film and TV
      • Producing for Filmmakers, Screenwriters, and Directors
      • Producing for Filmmakers,Screenwriters and Directors
      • Radical Strategies: ExperimentalDocumentary
      • Radical Strategies: ExperimentalShorts
      • Research as Practice: Developingthe Documentary
      • Screenwriting
      • Screenwriting for Directors
      • Screenwriting Within the Lines
      • Screenwriting: Telling the Truth Through Fiction
      • Screenwriting: The Art and Craftof Film-Telling
      • Screenwriting: Tools of the Trade
      • Script to Screen
      • Storyboarding for Filmand Animation
      • Storytelling through the Lens:Filmmaking Basics
      • The Art and Craft of Pitching for Film and TV
      • The Business of Film and TV:Role of the 21st Century Producer
      • The Creative Business of Film ,TV, and Digital Media
      • The Director Prepares
      • The Writer & The Director:Translating the Scene
      • Through the Looking Glass:Contemporary Cinematography
      • Unfinished Projects of Spring 2020:Independent Study Lab
      • Web Series
      • Working with Light and Shadow
      • Writing and Storytelling forAnimation
      • Writing for Directors/Directing for Writers
      • Writing Moving Pictures
      • A Visual Adaptation of BlazheKoneski's Handshake
      • AbelCine Service Internship
      • AbelCine Training Internship
      • Academic Internship in Animation
      • Actors and Directors Master Class
      • Adv Flmmkg Proj w/Concentrationin Producing & Cinematography
      • Adv. Independent Studio, Animation
      • Advanced Collective for Filmmakersand Screenwriters
      • Advanced Collective in Animationor Experimental Media
      • Advanced Projects in Screenwriting
      • Advanced Projects in Screenwriting
      • Advanced Projects: Cinematography
      • Advanced Screenwriting
      • Advanced Short Film Projects I
      • Advanced Short Film Projects II
      • Advanced Writers/Directors Workshop
      • Advanced Writing for the Screen
      • Advanced Writing for TV: Writingthe Original Script
      • Assemble Media Internship
      • Beauty PR and DigitalStrategies
      • Cinema Sarah Lawrence
      • Cinematography, Color, Compositionand Style
      • Circle of Confusion: Fall Internship
      • Communications & Media Internshipat The University Network
      • Content Acquisition in the Bronx
      • Cross Cultural Production: How China Reshapes Hollywood
      • Devel an Auteur's Intuition ThroughDiscovrg My Directorl Voice & Style
      • Director's Assistant
      • Documentary Filmmaking
      • Documentary Filmmaking: Behind theScenes
      • Emerging Filmmaker
      • Exploration of Acting Pedagogy in Different Context
      • Fashion and Film
      • Fashion Journalism
      • Fieldwork and Intensive Screenwriting Workshop
      • Film Production & Analysis toDevelop a Visual Style
      • Film Production Internship
      • Film Production: Martin Eden
      • Filmmaking in Practice
      • Filmmaking: Advanced Projects
      • Filmnation Internship
      • Full Frontal with Samantha Bee Internship
      • Full Frontal with Samantha Bee Internship
      • Grand Street Media Internship
      • Heartstruck: A Study of the Bordersin Relationships
      • How To Be A Filmmaker
      • Hybrid Animation Production
      • Identity, Politics, and History: Dev the Social/Cult Documentary
      • Industry Script Coverage & Analysis
      • Intern at "Last Week Tonightwith John Oliver"
      • Internship at American FilmInstitute
      • Internship at Halstead
      • Internship at Part 2 Pictures
      • Internship at Part 2 Pictures
      • Internship at TBS's"Full Frontal with Samantha Bee"
      • Late Night Show with Seth Meyers;
      • Late Night with Seth Meyers:A Study
      • Lifestyle: A Product
      • Magnolia & Beyond: The Ins and Outsof Independent Film Distribution
      • Marvel Internship
      • Notes to the Soul Internship
      • NYLON Internship
      • On the Go Filmmaking
      • PBS Internship
      • Photography and the FashionMagazine
      • Post-Production Master Class
      • Practical Cinematography: Tools of the Industry
      • Producing for Non-Profit Theatre
      • Production Internship - Ministryof Creative Reasoning
      • Production Internship: Fieldwork
      • Professional Studies in On SiteBroadcast Journalism & Production
      • Refining the Edit & Adapting FilmProduction through Remote & Virtual
      • Screenwriting Directing: Martin Ede
      • Simon & Schuster Internship
      • SLC Live: Creating Pre-recordedComedy-Variety Shows
      • SLC Virtually Live: Creating thePre-recorded Comedy-Variety Sho
      • SLCeeds Fieldwork Intensive
      • SNL & SLC: A Multidisciplinary Approach to Working in Studio 6H
      • Television and Photography
      • The Art of TV & the Art of the Interview: Documenting the Oral
      • The Business of New Media:Wuhan Radio and TV Station
      • The Ecosystem of Film Industry
      • The Fourth Estate--Home to the Real& Fake: Journalism on Film & TV
      • The History of Chinese Adoption: AnAnimator's Perspective
      • The Intersections Between Modern Film and Journalism
      • The Production of the Late Show
      • The Tonight Show withJimmy Fallon
      • The Workings of a Production
      • Transformations of Hyacinthus
      • Tribeca Film Center Fieldwork
      • Untitled Entertainment Internship
      • Women Behind the Scenes: BronxNet Produce Intern
      • Workshop: Camera, Lights, Sound
      • Workshop: Costume Design
      • Workshop: Documentary Production
      • Workshop: Editing & Post-Production
      • Workshop: Production Design
      • Workshop: Production Management
      • Writing for Television:Adv Projects
      • Writing for the Screen andPsychoanalysis of Storytelling
      • 1881 Western Film
      • A Study in After Effects: Motion Graphics & Experimental Techniques
      • Advanced Directing
      • Advanced Script to Screen
      • Advanced Video Editing: Substanceand Style
      • Advanced Writing for Feature Films
      • Animation Production
      • Animation Project
      • Anthropology of the Senses & InstalArt:Reconstr. the Analog Reality
      • Atomic Adam:Writing & Rewriting theFinished Story, and Other Exercises
      • Branded Film Content Developmentand Direction
      • Character Design
      • Cinematography - Creating theFemale Centered Film
      • Completing the Short Film: What Sound Can Do
      • Conceiving, Developiing, & Writingthe Feature Length Film
      • Concept Art Booklet/Animatic for a TV or Graphic Novel Pitch
      • Concept Portfolio Development
      • Concept: Background Paintings for Animation
      • Continuation of Novel
      • Continuation of Novel
      • Cosmetics and Film
      • Creation and Distribution ofVideo Marketing
      • Dismantling Historical Myths UsingDocumentary & Narrative Cinema
      • Documentary Film: Insights inDancing
      • Documentary Film:Dancing on Toes
      • Documentary Vignette
      • Editing & Revising the Full-LengthScreenplay
      • Editing for Film: An Introduction to Premier
      • Editing the Documentary
      • Editing, Sound Mixing & Cutting:Finalizing the Short Film
      • Exploring Narrative
      • Film Production: IndependentShort Film
      • Filmmaking and Post Production forMartin Eden
      • Filmmaking Independent Study
      • Fundraising for Non-Fiction Film
      • Genre Filmmaking: Western - Man Out of Time
      • Getting Reel: Artistic, Technical & Profssnl Dev of a Cinematographer
      • Giselle - Feature Screenplay
      • Great Amer Film Fanatic: Doc Rsrchon Rise of Fandom in Hollywood
      • Horrifying Cuts: An Editor's Guide
      • Hybrid Animation and Storytelling: 1950s Puerto Rico
      • Independent Character and Concept Art
      • Independent Magazine Creation
      • Independent Study in Screenwriting
      • Life Story of a German Refugee
      • Life Story of a German Refugee:Discovery in Family History
      • Making the "Underground" Short
      • Making the Underground Short(Part II)
      • Mastering Sound for Film and TV
      • Maybe Next Time?
      • Media Production: Film Art &Practice, Part I
      • Narrative Developments inConcept Art
      • Non-Fiction Case Study and FilmFundraising
      • On Site: An Adventure in the GreatWide Somewhere
      • One of a Kind: Study of the BeautyIndustry through Documentary Film
      • Packaging and Financing theIndependent Film
      • Post-Black:Exploration of BlacknesThrough Expermntl Film&Perforrmance
      • Producing and Directing the Comedic Short
      • Production and Conceptualization of the Film "145"
      • Production and Post-Production Workfor Hikikomori
      • Production of a Short Film
      • Revising and Breaking Down theFeature-length Screenplay
      • Screenplay Development: From Concept to Production-Ready Script
      • Screenplay Features: The Man fromMunich
      • Screenwriting: Developing theOutline
      • Script o Screen: Post Production
      • Senior Portfolio
      • Senior Project in Preproduction Animation
      • Spells Writing Lab and Draft ofa Novel
      • Start to Finish: The Short Film
      • Stop-motion Animation Webseries
      • Strategies for the Independent Low-Budget Filmmaker
      • Strengthen a Screenplay
      • Text
      • The Art of the Ugly: Making aHorror Film
      • The Female Hollywood Disruptersin the Me Too Era
      • The Production History of 007
      • Union Short Film Proof-of-Concept
      • Video Killed the Radio Star: MusicVideo Development & Production
      • Within is Without a Without
      • World Building in Fiction Writing:"Chip of Knowledge"
      • Writing and Pre-Production
      • Writing and Producing the Experimental Narrative
      • Writing and Shooting a Short Film
      • Writing and Storyboarding for the Graphic Novel or Webseries
      • Writing Comedy: Developing anOriginal Screenplay
      • Writing Comedy: Developing anOriginal Screenplay
      • Writing for and About Movies
      • Writing for the Screen-Developingthe Feature Screenplay
      • Writing the Portfolio: Pilots,Features, and Spec Scripts

FILMMAKING & MOVING IMAGE ARTS - FILM

  • 1881 Western Film
  • 2-D Animation:From Pencil to Vector
  • 2D Animation:
  • 3D Character & Environments
  • 3D Character and Environments
  • 4D Cinema for Animation
  • A Study in After Effects: Motion Graphics & Experimental Techniques
  • A Visual Adaptation of BlazheKoneski's Handshake
  • AbelCine Service Internship
  • AbelCine Training Internship
  • Academic Internship in Animation
  • Acting for Screenwriters/Directors
  • Actors and Directors Master Class
  • Adv Flmmkg Proj w/Concentrationin Producing & Cinematography
  • Adv. Independent Studio, Animation
  • Advanced Collective for Filmmakersand Screenwriters
  • Advanced Collective in Animationor Experimental Media
  • Advanced Directing
  • Advanced Independent StudyCollective: Exper Film/Animation
  • Advanced Projects in Screenwriting
  • Advanced Projects in Screenwriting
  • Advanced Projects: Cinematography
  • Advanced Screenwriting
  • Advanced Script to Screen
  • Advanced Short Film Projects I
  • Advanced Short Film Projects II
  • Advanced Video Editing: Substanceand Style
  • Advanced Writers/Directors Workshop
  • Advanced Writing for Feature Films
  • Advanced Writing for TV: Writingthe Original Script
  • Advanced Writing for the Screen
  • An Overview of Visual Development iin Animation and Film
  • Anatomy of a Scene
  • Animation Production
  • Animation Project
  • Animation and Philosophy
  • Anthropology of the Senses & InstalArt:Reconstr. the Analog Reality
  • Assemble Media Internship
  • Atomic Adam:Writing & Rewriting theFinished Story, and Other Exercises
  • Avant Doc: Experimentsin Documentary Filmmaking
  • Beauty PR and DigitalStrategies
  • Branded Film Content Developmentand Direction
  • Bulletproof Screenwriting
  • Bulletproof Screenwriting
  • Capturing Stories: DocumentaryFilmmaking:Smart Phone Technologies
  • Catching Emotion: Trauma & Strugglein Auteur Animation
  • Character Design
  • Character Design
  • Cinema Sarah Lawrence
  • Cinematography - Creating theFemale Centered Film
  • Cinematography, Color, Compositionand Style
  • Cinematography, Color, Compositionand Style
  • Circle of Confusion: Fall Internship
  • Communications & Media Internshipat The University Network
  • Completing the Short Film: What Sound Can Do
  • Conceiving, Developiing, & Writingthe Feature Length Film
  • Concept Art Booklet/Animatic for a TV or Graphic Novel Pitch
  • Concept Art: The Medea Project
  • Concept Art: Visual Development
  • Concept Art:Exploring Preproductionfor Media Arts Projects
  • Concept Portfolio Development
  • Concept: Background Paintings for Animation
  • Concepts in Media Self-Portraiture
  • Contemporary Moving Image Art
  • Content Acquisition in the Bronx
  • Continuation of Novel
  • Continuation of Novel
  • Cosmetics and Film
  • Creating the Webseries
  • Creation and Distribution ofVideo Marketing
  • Creative Producing: The Role of theProducer in Film and Television
  • Cross Cultural Production: How China Reshapes Hollywood
  • DIY Filmmaking: Do It Yourself
  • Deep Focus: Filmmaking forthe Amateur and the Auteur
  • Designing Film for VirtualEnvironments
  • Devel an Auteur's Intuition ThroughDiscovrg My Directorl Voice & Style
  • Digital 2D Animation
  • Digital 3D Animation: Character and Environment Building
  • Digital 3D Animation:Character and Environment Design
  • Directing Actors
  • Directing Actors Seminar
  • Directing For the Screen: Developing Collaborative Process
  • Directing for Film
  • Directing for Film & TV
  • Directing the Documentary
  • Directing the Narrative
  • Directing the Short Film
  • Director's Assistant
  • Dismantling Historical Myths UsingDocumentary & Narrative Cinema
  • Documentary Film: Insights inDancing
  • Documentary Film:Dancing on Toes
  • Documentary Filmmaking
  • Documentary Filmmaking
  • Documentary Filmmaking and Musicas Liberation I
  • Documentary Filmmaking andand Music as Liberation II
  • Documentary Filmmaking: Behind theScenes
  • Documentary Filmmaking: The Personaas Political I
  • Documentary Filmmaking: The Personaas Political II
  • Documentary Filmmaking: Truth,Freedom and Bearing Witness
  • Documentary Filmmaking:The Documentary Portrait
  • Documentary Vignette
  • Drawing for Animation: Concept Art
  • Drawing the Storyboard: VisualStructure in Animation & Film
  • Editing & Revising the Full-LengthScreenplay
  • Editing Fundamentals
  • Editing for Film & TV
  • Editing for Film: An Introduction to Premier
  • Editing the Documentary
  • Editing the Short Film
  • Editing, Sound Mixing & Cutting:Finalizing the Short Film
  • Elements of Writing for the Screen:The Screenwriter as Director
  • Emerging Filmmaker
  • Environmental 3D Modeling for Animation
  • Everyday Archives: Digital Mediaand the Aesthetic Collaboration
  • Experimental 3D Character Creationand Movement
  • Experimental Animation
  • Experimental Documentary:Theory and Practice
  • Experimental Film & Animation
  • Experimental Film in Place
  • Experimental Hybrid Film: Video andAnimation
  • Experimental Stop Frame Animation
  • Experiments in Hybrid Animation:Materials and Methods
  • Exploration of Acting Pedagogy in Different Context
  • Exploring Narrative
  • FYS in Filmmaking: FindingYour Voice in Film
  • FYS: Fundamentals of NonfictionAnimation
  • FYS: Intro to Cinematography: Visualizing & Creating Images
  • FYS: Respect for Screen Acting:Performance and Film
  • Fashion Journalism
  • Fashion and Film
  • Feeling Sound: Effects and Affects
  • Field Recording for Film,Animation, and Podcasts
  • Fieldwork and Intensive Screenwriting Workshop
  • Film Production & Analysis toDevelop a Visual Style
  • Film Production Internship
  • Film Production Lecture
  • Film Production: IndependentShort Film
  • Film Production: Martin Eden
  • Film Scheduling
  • Filming with Actors; a Workshopfor Directors and Actors
  • Filmmakers Collective
  • Filmmaking & Cinematic Arts
  • Filmmaking Basics: Where to Start
  • Filmmaking Component
  • Filmmaking Component
  • Filmmaking Component
  • Filmmaking Component
  • Filmmaking Course
  • Filmmaking Course
  • Filmmaking Course Leeds
  • Filmmaking Fundamentals: Writingand Production
  • Filmmaking Independent Study
  • Filmmaking Production Collective
  • Filmmaking Structural Analysis
  • Filmmaking and Cinematic ArtsTutorial
  • Filmmaking and Post Production forMartin Eden
  • Filmmaking course
  • Filmmaking course - Amsterdam
  • Filmmaking in Practice
  • Filmmaking& Cinematic Arts Tutorial
  • Filmmaking/Cinematic Arts Tutorial
  • Filmmaking: Advanced Projects
  • Filmmaking: Visions of SocialJustice II
  • Filmmaking: Visualizing and CreatinMoving Images for the Screen
  • Filmnation Internship
  • Finish Your Film! The Art of Post-Production
  • First Year Studies in Filmmaking
  • First Year Studies in Filmmaking:
  • First Year Studies: Introductionto Documentary Film
  • First-Year Studies: DocumentaryFilmmaking: True Storytelling
  • First-Year Studies: Image, Sound,and Time
  • First-Year Studies: Words toPictures: Writing for the Screen
  • First-Year Studies: Writing andDirecting for Cinema: The Basics
  • From Ideas to Postproduction
  • Full Frontal with Samantha Bee Internship
  • Full Frontal with Samantha Bee Internship
  • Fundamentals of 2D CharacterAnimation
  • Fundamentals of Cinematic Lighting
  • Fundraising for Non-Fiction Film
  • Game Workshop and Video GameDevelopment
  • Games People Write: NarrativeDesign & Writing for Video Games
  • Genre Filmmaking: Western - Man Out of Time
  • Genre Writing
  • Getting Reel: Artistic, Technical & Profssnl Dev of a Cinematographer
  • Giselle - Feature Screenplay
  • Good, Fast, Cheap: The Sacred Triad of Film Scheduling
  • Grand Street Media Internship
  • Great Amer Film Fanatic: Doc Rsrchon Rise of Fandom in Hollywood
  • Hand-Drawn Animation
  • Heartstruck: A Study of the Bordersin Relationships
  • Horrifying Cuts: An Editor's Guide
  • How To Be A Filmmaker
  • Hybrid Animation Production
  • Hybrid Animation and Storytelling: 1950s Puerto Rico
  • Identity, Politics, and History: Dev the Social/Cult Documentary
  • Independent Character and Concept Art
  • Independent Magazine Creation
  • Independent Study in Screenwriting
  • Industry Script Coverage & Analysis
  • Intensive Program in Filmmaking
  • Intensive Program in Filmmaking
  • Intensive Program in Filmmaking
  • Interactive Cinema
  • Interactive Storytelling
  • Intermediate/Advanced 2D Animation
  • Intern at "Last Week Tonightwith John Oliver"
  • International Film Institute Filmmakers' Week
  • Internship at American FilmInstitute
  • Internship at Halstead
  • Internship at Part 2 Pictures
  • Internship at Part 2 Pictures
  • Internship at TBS's"Full Frontal with Samantha Bee"
  • Intro to Editing for Film & TV
  • Introduction to 2D Animation
  • Introduction to 3D Animation
  • Introduction to Animation Studies
  • Introduction to Cinematography -Fundamentals
  • Introduction to Production Sound
  • Introduction to Writing for TV
  • Late Night Show with Seth Meyers;
  • Late Night with Seth Meyers:A Study
  • Less Is More: On-Camera Performance
  • Life Story of a German Refugee
  • Life Story of a German Refugee:Discovery in Family History
  • Lifestyle: A Product
  • Magnolia & Beyond: The Ins and Outsof Independent Film Distribution
  • Making the "Underground" Short
  • Making the Genre Film
  • Making the Genre Film
  • Making the Underground Short(Part II)
  • Marketing for Screenwriters,Filmmakers, and Directors
  • Marvel Internship
  • Mastering Sound for Film and TV
  • Maybe Next Time?
  • Media Lab: Youth Educationand Community Engagement
  • Media Production: Film Art &Practice, Part I
  • Media Sketchbooks
  • Music and Sound for Film
  • NYLON Internship
  • Narrative Developments inConcept Art
  • Narrative Structural Analysisin Film and TV
  • Non-Fiction Case Study and FilmFundraising
  • Non-Fiction: Developing and Writing the Documentary
  • Not For Children
  • Not For Children: AlternativeAnimation 1960-present
  • Notes to the Soul Internship
  • On Multimodal Scholarship: The Useof Digital Technologies for Researc
  • On Site: An Adventure in the GreatWide Somewhere
  • On the Go Filmmaking
  • One of a Kind: Study of the BeautyIndustry through Documentary Film
  • Opening Scene: Filmmaking for First-Timers
  • PBS Internship
  • Packaging and Financing theIndependent Film
  • Performance for Film
  • Photography and the FashionMagazine
  • Politics of the Image
  • Post-Black:Exploration of BlacknesThrough Expermntl Film&Perforrmance
  • Post-Production Master Class
  • Practical Cinematography: Tools of the Industry
  • Producing and Directing the Comedic Short
  • Producing and Pitching: TheCreative Producer In The Real World
  • Producing for Film and TV
  • Producing for Filmmakers, Screenwriters, and Directors
  • Producing for Filmmakers,Screenwriters and Directors
  • Producing for Non-Profit Theatre
  • Production Internship - Ministryof Creative Reasoning
  • Production Internship: Fieldwork
  • Production and Conceptualization of the Film "145"
  • Production and Post-Production Workfor Hikikomori
  • Production of a Short Film
  • Professional Studies in On SiteBroadcast Journalism & Production
  • Queer Feminist Praxis: CommunityEngagement and Digital Humanities
  • Queer and Trans Aesthetics: NewApproaches to Media Production
  • Queer/Trans/Digital
  • Radical Strategies: ExperimentalDocumentary
  • Radical Strategies: ExperimentalShorts
  • Recording and Editing Soundfor Film and Media
  • Refining the Edit & Adapting FilmProduction through Remote & Virtual
  • Research as Practice: Developingthe Documentary
  • Revising and Breaking Down theFeature-length Screenplay
  • SLC Live: Creating Pre-recordedComedy-Variety Shows
  • SLC Virtually Live: Creating thePre-recorded Comedy-Variety Sho
  • SLCeeds Fieldwork Intensive
  • SNL & SLC: A Multidisciplinary Approach to Working in Studio 6H
  • Screen Story Narrative Structure
  • Screenplay Development: From Concept to Production-Ready Script
  • Screenplay Features: The Man fromMunich
  • Screenwriting
  • Screenwriting Directing: Martin Ede
  • Screenwriting Is Rewriting:Screenplay Revision
  • Screenwriting Within the Lines
  • Screenwriting for Directors
  • Screenwriting: Developing theOutline
  • Screenwriting: Telling the Truth Through Fiction
  • Screenwriting: Telling the TruthThrough Fiction
  • Screenwriting: The Art and Craftof Film-Telling
  • Screenwriting: Tools of the Trade
  • Script o Screen: Post Production
  • Script to Screen
  • Scriptwriting: Screen-Showingand Telling
  • Senior Portfolio
  • Senior Project in Preproduction Animation
  • Short Film Composition
  • Simon & Schuster Internship
  • Sonic Experiments: Listeningand Queer Worldmaking
  • Sonic Experiments: Listeningand Queer Worldmaking
  • Spells Writing Lab and Draft ofa Novel
  • Start to Finish: The Short Film
  • Stop-motion Animation Webseries
  • Storyboarding for Filmand Animation
  • Storytelling through the Lens:Filmmaking Basics
  • Strategies for the Independent Low-Budget Filmmaker
  • Strengthen a Screenplay
  • TV Writing: Creating an OriginalTV Series
  • Television and Photography
  • Text
  • The Actor's Voice Over: Intensive Exploration of Voice Work
  • The Art and Craft of Pitching for Film and TV
  • The Art of Editing: Aestheticand Practice
  • The Art of Editing: Post-Production
  • The Art of TV & the Art of the Interview: Documenting the Oral
  • The Art of the Ugly: Making aHorror Film
  • The Business of Film and TV:Role of the 21st Century Producer
  • The Business of New Media:Wuhan Radio and TV Station
  • The Creative Business of Film ,TV, and Digital Media
  • The Director Prepares
  • The Ecosystem of Film Industry
  • The Female Hollywood Disruptersin the Me Too Era
  • The Fourth Estate--Home to the Real& Fake: Journalism on Film & TV
  • The History of Chinese Adoption: AnAnimator's Perspective
  • The Intersections Between Modern Film and Journalism
  • The Production History of 007
  • The Production of the Late Show
  • The Tonight Show withJimmy Fallon
  • The Workings of a Production
  • The Writer & The Director:Translating the Scene
  • Through the Looking Glass:Contemporary Cinematography
  • Transformations of Hyacinthus
  • Tribeca Film Center Fieldwork
  • Unfinished Projects of Spring 2020:Independent Study Lab
  • Union Short Film Proof-of-Concept
  • Untitled Entertainment Internship
  • Video Killed the Radio Star: MusicVideo Development & Production
  • Virtual Cinema
  • Virtual Cinema
  • Visions of Social Justice
  • Web Series
  • Within is Without a Without
  • Women Behind the Scenes: BronxNet Produce Intern
  • Working with Light and Shadow
  • Workshop: Camera, Lights, Sound
  • Workshop: Costume Design
  • Workshop: Documentary Production
  • Workshop: Editing & Post-Production
  • Workshop: Production Design
  • Workshop: Production Management
  • World Building in Fiction Writing:"Chip of Knowledge"
  • Worldbuilding
  • Writing & Directing the Documentary
  • Writing Comedy: Developing anOriginal Screenplay
  • Writing Comedy: Developing anOriginal Screenplay
  • Writing Documentary Stories
  • Writing Fantasy Scripts
  • Writing From Imagination
  • Writing Movies
  • Writing Moving Pictures
  • Writing Moving Pictures: Film/TV
  • Writing and Pre-Production
  • Writing and Producing the Experimental Narrative
  • Writing and Shooting a Short Film
  • Writing and Storyboarding for the Graphic Novel or Webseries
  • Writing and Storytelling forAnimation
  • Writing for Directors/Directing for Writers
  • Writing for TV
  • Writing for TV: The Original Pilot
  • Writing for Television From'Spec Script’ to Original Pilot
  • Writing for Television:Adv Projects
  • Writing for and About Movies
  • Writing for the Screen
  • Writing for the Screen andPsychoanalysis of Storytelling
  • Writing for the Screen-Developingthe Feature Screenplay
  • Writing the Adapted Screenplay
  • Writing the Feature Screenplay
  • Writing the Film: Scriptsfor Screen-Based Media
  • Writing the Portfolio: Pilots,Features, and Spec Scripts
  • Writing the Short Film Adaptation
  • Writing the Short Screenplay
  • Writing the Short Screenplay
  • Writing the Short Screenplay
  • Your Cinema Vocabulary
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